My work explores repetition, structure, and bodily labor as ways of thinking through making. I am interested in how repeated gestures—stitching, assembling, holding—accumulate time and attention, allowing labor itself to remain visible within material.

I was trained in fashion design, where I learned to think through the body—through pattern, proportion, and sustained handwork. That way of thinking continues to shape how I approach form and structure. I am drawn to processes that are slow, physical, and accumulative, where meaning emerges through duration rather than efficiency.

Across different bodies of work, my practice has consistently returned to repetition and hand labor as structuring forces. While earlier works centered more closely on intimacy and memory, recent projects extend these concerns into spatial systems—where bodily logic becomes architectural. Working with soft and worn materials, I build installations that move from the scale of the body into space, using repetition as a durational method for holding tension, absence, and care over time.